corporate identities popping up.

thanks Ludwig Gatzke’s
Truth be told, back in 97' ( that just sounds weird ) every text mark
I worked on looked like a technology-based identity utilizing screened
color values and beveled-rounded type faces. I perceived it as a positive
move. Design was proving to be viable and a demonstrate-able part of advertising.
It was also working towards diminishing societies antiquated fears of technology.
I spent a great deal of time training clients on the importance of design.
In some cases I was even creating splash screens and desktop icons
for their respective software suites.
Designers were free to create and convey any abstract thought or idea without question.
Technology was the new religion and no one was questioning the gods.
With subtle curves and muted tones these design atheistisc/styles helped
make technology companies commercial entities with a personality,
intelligence and charm. Unlike the early eighties where the design atheistic for
technology was ominous and geared towards acquiring Corporate America's business.
In some cases i would describe some identities as stoic. However that is a design emotion,
not a design function.
I'm not sure how these new logos have come to be scrutinized however, it comes
as no surprise to me that we've moved from the solid functionality of a 2-color logo
to beveled-embossed-with a drop shadow-and a three-color-gradient,
which looks great on a monitor or screen. Only well designed this time around.
Most of the great design that came from 98'-02' was certainly inspired by the interface of the very software we where using. A lot of designers were directly influenced by their computer's interface. Keylines and cross-hairs where the kweelest back then as it is today with shiny-glazed-and embossed text marks and their corresponding icons and graphics, with a drop shadow.
These logos referenced on FontShop represent the maturity of those few designers as well as their influence as mentors in my opinion.
Just a few thoughts.











